Panasonic Lumix G9 Review

Panasonic LUMIX G9 Review
May 2020, Carl Garrard

*G9 has arrived in all of its metal and dial glory

Today's editorial is one based around using a brand new factory fresh Panasonic G9 that incorporates firmware version 2.1 (the latest as of this article date). From the ground up, Panasonic designed its G9 prioritizing the pleas and requirements of still photographers into a true pro level camera. In a way, the G9 is the yin to the GH5's yang; a camera originally designed to prioritize videographers requirements. But, by adding new firmware to an already quietly popular pro level stills oriented camera, Panasonic would blur the line between the two models while simultaneously endearing current owners of the G9. Not only that, but the firmware would create new customers for it as well. Customers like me. The new comprehensive firmware bolsters excellent video quality and functionality, while simultaneously giving it performance boosts in autofocusing for stills photography. The G9 is reborn, an even better camera. Thus, I've named it the G9 Mark II.
PANASONIC LUMIX G9 Current Pricing

Olympus M.Zuiko 12-45mm f/4 PRO Review

Olympus M.Zuiko 12-45mm f/4 PRO Review
May 2020, Carl Garrard

24-90mm f/4 (T) is as near perfect as you can get for a compact zoom. Not only is the zoom range ideal for most subjects, but the close focusing is excellent too. Tie in pro quality build, and near prime optical performance in the entire range, small size, and this lens is a no brainer that brings true practical value to your m4/3 kit. Practical value means you'll appreciate it, and forget all about its price, and zoom range. Other lenses we have in our kit we may wonder why we bought them, not so for this lens. As soon as it was announced, I knew it was a gem that ticked off all the right boxes, price is excellent too (link provided here), as the optical performance alone well compensates for the price you pay. Everything else about this wonderful lens is a bonus beyond that in terms of price. It's a must have you'll not regret purchasing.  In fact, you'll be glad you did, and you'll wonder why there aren't more photographers making a huge deal out of this lens. The old f/2.8 argument is well engrained, goes way back to the film days. F/4 lenses are the real value these days, and they are better than ever.
Olympus M.Zuiko ED 12-45mm F4.0 PRO Lens